Wolverine’s Foray Into Death Metal
Posted February 18, 2011on:
I’m listening to Entombed’s “Wolverine Blues”, released in 1993 with an exclusive mini-comic starring everybody’s favorite Canucklehead.
Though sometimes noted by serious metal fans as less of a “true” death metal record than their previous records (remember, we’re talking about a genre with a disproportionately high percentage of “classic” first records), “Wolverine Blues” is nonetheless a standout and is frequently cited as one of the better and most enduring death metal albums of the 1990s.
That the album was not written or titled with comics’ most popular characters in mind was not a concern of Earache records, which seized upon the coincidence as an opportunity to make some quick scratch. When the album was released in North America with an alternate (one might even say “variant”) cover, Earache and Marvel’s cross-promotional venture managed to cash-in yet again. Given comics fans’ willingness to buy seemingly ANYTHING in the early 90s, and record’s eventual stature as one of the all-time greats in the history of Swedish death metal, nobody on either side of the deal seems to mind that Earache and Marvel basically succeeded in turning Entombed into a late 20th century version of the Banana Splits.
The borderline “berserker” aspect of Logan’s character has been a tension explored ad-nauseum ever since Chris Claremont renewed focus on the character in the late 70s and early 80s, and it’s not like the anthropomorphizing of a notoriously dangerous Midwestern quadruped isn’t the most subtle of metaphors to begin with. But that level of juvenility has always been what made both Logan and death metal itself so appealing to early-teenaged boys, as well as a natural commercial pairing.
On the title track, LG Petrov growls out the lyrics like he’s the best he is at what he does, and what he does is pretty stupid: “Vicious mammal/the blood is my call/pound for pound/I am the most vicious of all!”
Meanwhile, in the accompanying comic entitled “Just Don’t Look in its Eyes” (written by Ann Nocenti, art by John Bolton, originally printed as a back-up story in September 1988’s Classic X-Men #25), Logan continues his illustrious history of straight-murdering a grizzly bear out in the snow, spending between three and five panels feeling bad about it, and then proceeding to straight-murder the jerk who made him kill an innocent beast. Good times.
And even if it’s not, strictly speaking, the most over-the-top brutal offering Scandinavia might have offered, the death n’ roll on “Wolverine Blues” still makes for an appropriately nauseating soundtrack to enjoying comics’ most popular (and often silliest) psychopath.
BONUS! Despite the band not wanting the album to have anything to actually do with the Marvel character, Earache still managed to get them to do an entire music video with Wolverine all over it. Warning: it’s pretty terrible (so much so, it was featured on an episode of “Beavis and Butt-head” and largely ignored by the duo).