Posts Tagged ‘Geoff Johns’
For dubbing our San Diego condo “Hive Five Headquarters,” we sure were quiet during the actual convention. Surely, the other blogs were covering all of the actual news stuff (OMG EYE-STABS) while we were out, you know, having fun and stuff. But we wouldn’t be much of a comic blog if we didn’t talk about San Diego Comic-Con itself, so here’s the day-by-day goings on through the eyes of us High Fivers.
Wednesday, July 21
Not much really goes on at Preview Night, but it’s always nice to get the lay of the land. Early access to the floor and first pick of whatever is for sale is cool and all, but that’s more or less all that happens. The highlight of Preview Night (for me) was definitely getting Bill Willingham to sign my copies of Ironwood #7-10 (pfft, don’t judge me). He was shocked when I pulled them out of their bags, and for a minute I thought the whole exchange was going to be super-awkward, but then he jovially asked for our I.D. cards and starting sharing some insider information with us, like how his former studio mates’ mugs are hidden in the cover art of issue #10.
Maggie’s Preview Night highlight? Shaking Michael Dorn’s hand and mumbling “Thank you,” like a big dumb fangirl.
Aside from that, I managed to pick up Power Man and Iron Fist #50, Flash Volume 1 #289 (first Firestorm back-up, the first thing George Pérez ever did professionally) and DC Comics Presents #17 (Superman and Firestorm team-up, a huge hole in my Ronnie Raymond collection). Hell yes.
Thursday, July 22
All the other blogs are putting in their two cents about this, so we might as well follow suit. Yes, Westboro Baptist Church protested Comic-Con and it’s “worship of false idols.” While High Five! unilaterally agreed with Warren Ellis’ plan of “ignore, ignore, ignore,” some attendees opted to counter-protest. Whatever, go for it. My biggest problem was that while most of the signs mocked religious intolerance (I did laugh at “the Cylons destroyed the 12 Colonies for your sins” and Maggie loved the “Kill All Humans!” sign wielded by a Bender), some of the signs in the counter-protest (namely “Fuck God”) were just as offensive as Westboro’s signs, more or less giving Phelps and crew exactly what they wanted. Oops.
Inside the convention center, we got Hava all badged up and headed straight for the “BOOM! Irredeemable/Incorruptible” panel. Highlights included the potential for character-specific one-shot tie-ins and listening to Waid and Peter Krause discuss their writing process. Oh, and the Irreedemable perfumes by Black Phoenix Alchemy Lab (friends of Hava’s, plug plug plug).
Later we hit up the “Mondo Marvel” and “DC Comics 75th Anniversary” panels. Holy shit, I could listen to Dennis O’Neil (Green Lantern/Green Arrow!) and Jerry Robinson (creator of Alfred, Robin, and the freakin’ Joker!) talk all day. Fun Fact: According to Jerry Robinson, Batman’s sidekick was NOT named after the bird, but after Robinson’s own childhood nickname.
Maggie and Hava tried to hit up the “Geek Girls Exist” panel but the place was well over capacity and half-full of dudes. Bummer! Still, rather than pout, the girls gave up getting in and held their own Geek Girls panel at a bar on Fifth Street, because this is San Diego Comic-Con, and you can always find something awesome to do when your original plan falls apart. Big congratulations to the Geek Girls’ Network for hosting a massively successful panel!
Later on, Maggie went over to w00tstock and met Wil Wheaton and Aaron Douglas and Matt Fraction while Hava, Jon, and I went to the BOOM! Studios’ Fifth Anniversary Drink-Up and spent upwards of an hour and a half chatting up Peter Krause. Hell of a way to end a night.
Friday, July 23
Friday was Room 6DCE day. After sitting through the “Marvel Video Games” panel (and, I’ll admit, “Marvel vs. Capcom 3” looks pretty rad), the barrage of DC panels began.
First up was “Spotlight on Grant Morrison” and, my god, that was entertaining. Between his bajillion impressions, he announced the release of an Absolute We3 and revealed that Seaguy: Eternal will be coming sooner rather than later.
Next up was the “Batman: The Return” panel. The stage was packed, with Grant Morrison, Bryan Q. Miller, Gail Simone, Paul Dini, Paul Cornell, Judd Winick, Scott Snyder, Frazer Irving, David Finch, Dustin Nguyen, and Mike Marts (I probably forgot somebody). Biggest news was that Morrison will be replaced by Peter Tomasi on Batman and Robin while Morrison starts a new Batman team-up book called Batman Inc. Paul Cornell will also write Knight and Squire (which we’re all pretty psyched for) and a Batman Beyond ongoing was hinted at. Also, the whole panel kept joking about how Dick Grayson is about to get “a bullet in the brain” meaning that I’m pretty sure Jon and I were right (at least about something).
Next was the “Superman: Man of Tomorrow” panel with J. Michael Straczynski, Jeff Lemire, Sterling Gates, Shane Davis, and Paul Cornell. Straczynski discussed his upcoming run on the “Grounded” storyline in Superman (nothing we didn’t already know) and the Superman: Earth One graphic novel he’s writing, with art by Shane Davis. Cornell revealed that Neil Gaiman’s Death will be a major character in Action Comics #894. The biggest news (to us, at least) was that the Phantom Stranger would be a major character in an upcoming Superboy book by Jeff Lemire. YES.
The last panel of the day was “DC Nation.” Dan DiDio, Straczynski, Geoff Johns, Grant Morrison, and Jim Lee (flanked by fans in costumes, including a Darkseid who stayed frighteningly in-character) revealed a few future projects, but nothing too crazy. Mostly that Geoff Johns will write a book starring Bart Allen and the other speedsters called Flash: Speed Force, that he’s writing a Dex-Starr Valentine’s Day special, and that he has an upcoming secret project with Grant Morrison.
On the way out, after nearly six hours parked in 6DCE, we ran into fellow blogger Kelson from Speed Force. Who’d have thought people from the internet have, like, faces and stuff!
Maggie and Hava headed over to the Geek Girls Tweet-Up while Jon and I went to Tweet House Party on the U.S.S. Midway and watched William Shatner, Brent Spiner, and LeVar Burton promote a website they knew nothing about and then run away to a VIP area. At least we got to be serenaded by Alice Cooper’s son’s band (Oh God. No).
Saturday, July 24
By this point, we were exhausted, and we still needed to get a ton of shopping done. The only panel we attended on Saturday was “Avatar Press and Max Brooks” where they talked endlessly about Crossed and Lady Death before casually mentioning that Warren Ellis is working on a second volume to Ignition City and that Supergod #4 is fiiiiinally ready to ship next Wednesday. While there wasn’t much news on the Ellis at Avatar front, listening to Max Brooks riff for 45 minutes was a hoot. He even touched on inter-fandom animosity, saying, “Everyone gets to have something, even teenage girls who are afraid of penises. Suck my blood, but don’t touch my tits!”
The rest of the day was dedicated to buying books and gathering sketches (we’ll share those in a separate post) and autographs. Jon managed to track down a sweet copy of October 1976’s Captain Britain #1 (complete with mask) and Maggie got June 1967’s Strange Adventures #201 (featuring an old Animal Man story that’s screaming for the Silver Age Recap treatment).
The most awesome thing of all, however, was talking extensively with Frazer Irving (who drew a three-second Batman for Maggie even though he wasn’t supposed to) and getting a bunch of books signed by Grant Morrison. Oh, and this.
Sunday, July 25
I guess Hall H had nothing going on because the Exhibit Hall was fucking packed. Everybody walking past the immense line to get signatures and sketches from Ivan Reis, Joe Prado, and Francis Manapul asked what the deal was and then walked away, unimpressed by some of the best artists in the business.
Maggie gathered 3 out of 4 signatures for her copy of 52 #1 last weekend, with a bit of Con luck on Sunday. We were talking with Greg Rucka at the Oni Booth about some of his upcoming books, including the next issue of Stumptown and a new Queen & Country novel. As Rucka signed some comics for Maggie, up walked Geoff Johns. Rucka signed 52, then turned around and handed it to Johns for her. The two writers shared an “Aw! Remember the good old days!?” moment, and Maggie did a fist pump because in case you didn’t know, now that Johns is running half the DCU, his signing lines are enormous.
The only panel we attended on Sunday was the “DC Town Hall Meeting.” Dan DiDio and Jim Lee really, really wanted to know what we thought of digital comics. (Answer: We like them, but don’t you dare fuck with our weekly books.) Also, Maggie may have terrfied poor Mr. DiDio. He brought it on himself though, when he asked (albeit jokingly) if she didn’t mean to be at a Harry Potter panel instead. Sorry, DiDio. You mess with the bull, you get the horns.
We’ve got more San Diego news in store, including some reviews and the High Five! Sketchbook, San Diego edition. Stay tuned!
When I say the name “Red Tornado,” you undoubtedly assume I’m talking about DC’s modern incarnation, a big red robotic wind elemental guy from Rann who wants nothing more than to be human and love on his family. Well, come on! This is the DC Universe, where every character ever is part of some long, long legacy of somewhat similar (even if just by name) characters! And, as bizarre as it sounds, Red Tornado’s legacy goes all the way back to 1939, predating even Jay Garrick, Wonder Woman, and Alan Scott (sort of) by a couple months.
Acquired in DC’s buyout of All-American Publications, Ma Hunkel debuted in June 1939’s All-American Comics #3, in which she started making repeated appearances in its Scribbly Jibbet features, written, penciled, inked, lettered, and edited by Sheldon Mayer. She was also a single mother of two kids, Huey (best friend of Scribbly’s) and Sisty (best friend to Scribbly’s little brother, Dinky). And she didn’t do much.
Finally, in November 1940’s All-American Comics #20, something happens. Ma’s brother-in-law strikes it big at the track and gives her the money to purchase the Schultz’s Grocery Store. As soon as she opens the doors, some local mobsters from the Torponi gang come in and try to shake her for protection money. Now, Ma is pretty burly and fights them off, but Sisty and Dinky hide in the Torponis’ car, pretty much kidnapping themselves. After the NYPD refuses to go after the Torponis, Scribbly tells her about the Green Lantern (who, at this point, was only four issues old). So Ma does the least logical thing possible and, instead of calling Green Lantern, the superpowerless Ma Hunkel puts on red tights, puts a cooking pot on her head, and goes out as the Red Tornado to rescue her kids (as far as I know, making her the first female superhero ever).
After she rescues Sisty and Dinky, NYPD police chief Gilhooley takes sole credit for bringing down the Torponi gang. When confronted by Ma Hunkel in her Red Tornado garb in front of the press, Gilhooley decries vigilantism and orders Red Tornado’s arrest. Ma evades capture by putting her costume on a gorilla, letting it get arrested in her place. Everybody all ready assumed that under the costume Red Tornado was a dude (what with how strong Ma is), but now they come to the conclusion that was the gorilla the whole time. Goddamn, Golden Age comics are weird.
My favorite (and probably the most famous) Ma Hunkel appearance was in Winter 1940’s All-Star Comics #3. Ma decides to gatecrash the first meeting of the Justice Society of America, hoping to join the ranks of her inspiration, Green Lantern. Unfortunately for her, she rips off her pants crawling in through a window, gets called the Red Tomato by an extremely dick-ish Hourman, and bails.
Other than a few more adventures with the Sisty and Dinky as the Cyclone Kids, Ma pretty much disappeared after Scribbly’s strip ended in All-American Comics #59. She did manage to have a one-panel appearance in July 1990’s Animal Man #25 (pushing a stroller full of cans in Limbo) and then, finally, a full-fledged re-appearance in February 2004’s JSA #55. It turns out that Ma Hunkel has been in the Witness Protection Agency ever since 1950 and, now that the last member of some gang is dead, she’s free to come out of hiding.
Currently, Ma Hunkel can be found in Manhattan taking taking care of the headquarters of and basically acting as housemother for the Justice Society. Plus, her granddaughter Maxine (who, just for kicks, I’ll assume is the love-child of Sisty and Dinky) is a member of the JSA All-Stars under the alias of Cyclone and has the power of flight and wind manipulation.
And, as weird as it sounds, I really hope that Maxine one day takes up the Red Tornado name. I mean, come on. Wouldn’t it be awesome for that legacy to come full circle?
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We all know how much the publishing houses love their events. Hell, at last year’s San Diego Comic-Con, there wasn’t a single DC, Marvel, or Image panel that didn’t ramble on and on about how great Blackest Night, Siege, or Image United were gonna be. But in 20 years, will people really give a shit about any of that? Or will they just be really confused when an older comic writer references it in a book? Yeah, it’s the latter. Well, that’s what “WTF Is” is all about: explaining what happened in all the events from the past that didn’t really live up to the glory of, oh, Crisis on Infinite Earths or something.
And, speaking of a DCU crisis, doesn’t it seem like 1994’s Zero Hour: Crisis in Time would be the perfect place to start?
Zero Hour is the story of the DCU vs. Extant. Sort of? Yeah, this is one of those books where they tried to get as much shit to happen in as few pages as possible. Here’s the best way I can explain it. During Armageddon 2001 (which almost deserves a “WTF Is” of its own), a character named Waverider goes back in time to the year 2001 to try and destroy an evil being named the Monarch before he can kill all the superheroes around 2030. During that event, the Monarch captured Hank “Hawk” Hall and Dawn “Dove” Granger, eventually executing Dove and making Hank go crazy. The Monarch then revealed himself to be a future version of Hank, driving Hank to kill the Monarch, steal his armor, and take up the Monarch mantle himself (in other words, he does everything in his stupid power to make sure that he ends up a bad guy). After becoming a Captain Atom villain for a while, it’s discovered that instead of the Monarch killing Dove, he just absorbed her or something. Hank Hall then changes his name to Extant, steals Waverider’s time travel bracelets, and disappears into time to try and change the universe into how he wants it by erasing existence from the end of time backwards to the beginning and restarting from scratch.
So, yeah, what we have here is another DC “crisis” event attempting to once again change the DCU forever by throwing a ton of confusing shit at us all at once and hoping that in the end it all makes sense. To make matters worse, Zero Hour was written by Dan Jurgens, the guy behind Superman vs. Aliens, the “Death of Superman” storyline, and the creator of DC’s Tangent imprint. Also included in the storyline are a bunch of tie-ins that were all released in October 1994 and numbered #0 (also known as “Zero Month”) which each revealed something unknown about the main hero of the title’s origin. Basically, this is everything amiss with 1990s DC Comics. Brace yourselves.
So, here is the quickest summary I can muster. Extant travels to the end of time, killing Time Trapper and causing a Crisis on Infinite Earths-style Ctrl+Z rift to go backwards through time, erasing existence (don’t think about the physics of this, it makes zero sense). Metron, Waverider, Superman, and Batman team up to attempt to stop the universe from rebooting. They get the help of every other hero in the DCU and the results are somewhat catastrophic. Wally West, Jay Garrick, Steel, most of the JSA, Dr. Mist, Vandal Savage, the Legion of Super-Heroes, and Kyle Rayner all “die.” An attempt is made at explaining what Hawkman’s deal is by stuffing all of the Thanagarians into one body (which just ends up raising more questions rather than clarifying anything). Extant is revealed to not really be the villain of the book, but was working for Hal Jordan (under the influence of Parallax) who wants to undo Coast City getting destroyed in “Reign of the Supermen.” The story ends with the universe being completely erased before the Spectre showing up to save the day (as he pretty much does in every Crisis) and the Green Arrow shooting Hal in the chest, “killing” him. The Spectre pumps newcomer Damage full of energy, causing him to act as a new Big Bang. Time goes by naturally and the universe is as it was. Sort of.
But how is this still relevant to the modern DCU? Well, remember when I said all of those characters “died?” The only ones who actually died and stayed dead were the original Atom and Doctor Mid-Nite. Wally West just got thrown through the time stream a bit, where he witnessed all the major points in his life (including his and Linda’s deaths) and gave a younger self a pep talk. Hal Jordan and Kyle Rayner didn’t really die, but got transported back to Oa. There, they had an all out fight that ended with Oa getting blown the fuck up. Aquaman got his totally 90s beard and harpoon hand after piranhas ate it off. Power Girl has a baby which is pretty much never heard from again. The biggest impact, however, was probably to Green Arrow. Thinking that he’d just killed Hal Jordan, Ollie threw his costume into the sea, went back to the monastery he joined in Flash #218, and meets Connor Hawke, his son, for the first time.
Some of the strangest tie-ins, however, had to be in both Neil Gaiman’s Sandman and Geoff Johns’ Booster Gold. In Sandman: Worlds’ End, a group of inter-dimensional travelers sit in a bizarre inn and wait out the “reality storm” caused by Parallax in Zero Hour (without ever directly mentioning it). Even stranger is April 2008’s Booster Gold #0, in which Booster, Dan Gerrett, Ted Kord, Jamie Reyes, and an unnamed fourth Blue Beetle from the 57th century stumble across Extant and Parallax discussing why they didn’t want Alan Scott dead. After a brief fight, Booster and the Beetles (ha) zap themselves away to the time of Booster’s origin, making its premise similar to the #0 books of 14 years prior.
Anyways, congratulations, whoever you are! You are now an expert in all things Zero Hour and never, ever have to read it.
It’s hard to write an original love story. How does one make the most universal of plotlines fresh and interesting? By re-telling his tortured relationship between his fundamentalist Christian upbringing and his first real love, Thompson gives us a unique twist on the autobiographical love story. Most of Thompson’s childhood and teenage years in small town Michigan are set during the harsh winter season. Thompson’s beautiful black and white drawings are a perfect complement to the stark, bleak beauty of his Midwestern hometown. Thompson has a big, sweeping lyrical style, but finest moments in Blankets are mostly silent. Like a silent film, Blankets’ strongest impact is in the images, such as the long dream sequence where the two lovers are mingled in the patchwork quilt Raina gives Craig.
What makes Blankets so compelling is Craig’s conflict between his deep-seated devotion to God and his passionate feelings for Raina. Religion rarely gets tackled in comics, and rarely as subtly as Thomson tackles it here. Without demonizing his former faith, he raises good, hard questions about his beliefs, and doesn’t give us any easy answers. What’s so refreshing is that Thompson leaves Craig’s relationship with Raina unresolved. When his relationship with Raina ends, it isn’t neat and tidy. Like real life, it’s messy and complicated, and sometimes we never see that person again. You wait to see if he’s going to circle back to Raina, and tell the reader what happened, but they are left hanging, just like in real life. Thompson spent five years on his 500+ page labor of love, and he leaves a moving testament to childhood, love and faith.
Set in 1970s Seattle, Black Hole is about the spread of a sexually transmitted disease that causes grotesque mutations in the teenagers who contract it. It’s also a horror comic, and Charles Burns’ tremendous work draws heavily in its aesthetic from the fantastically lurid grindhouse and slasher films of that era. But as you might expect, Black Hole is really just about growing up, and the physical transformations that the kids in the story go through only serve to literalize the genuine horrors of real-life adolescence. The sexual nature of their encounters and the complications that arise in their relationships reflect universal themes of immaturity, ignorance, shame, and alienation that pretty much all of us experience at that age. And, as with the high-schoolers in Black Hole, these are the trials that ultimately lead us to make the awkward transition into adulthood… or at least to just get the fuck out of town as soon as we’re able.
If you’ve never read a Spider-Man comic before, what do you know about him? How does our impression of arguably the greatest character in the history of comic books differ between his official continuity and the cultural canon? It probably isn’t all alien symbiotes or organic web shooters versus mechanical or having six-arms or clones names Ben or the trials of marriage (let alone any “Brand New Days”) or the even Daily Bugle and getting his ass yelled at a lot for just trying to get on with his day.
Well, wait. Maybe that last one…
Spider-Man is beloved above and beyond all else for being the superhero we can relate to, the guy who’s life as Peter Parker was often as dramatically true to life as his costumed exploits were fantastic and, more importantly, were just as compelling and fun to read than the smash and bash, if not more so. So when the Ultimate Universe idea came around, it makes sense that Spidey was the most perfect fit for the update: Take all the stuff that we remember and love about Peter Parker’s history, and place it in a simple, modern context without all the decades of convolution. What you get is a 15 year old kid who has to deal with new powers (and new responsibilities) after he’s bitten by a radioactive spider… on top of dealing with high school. And it works. All the greatest moments get their due, and Brian Michael Bendis gives us as much meaningful time with Gwen Stacey, Mary Jane Watson, and the gang as he does thrills watching Pete quip one-liners as he puts the beats on the Green Goblin, Electro, and Doctor Octopus.
It works so perfectly that, like an awesome TV show that runs way too many seasons too long, it inevitably becomes just as convoluted as the series it was created to simplify, and actually had to be rebooted/relaunched itself! That’s comics for you. But for sixty-some issues, Bendis and series regular artist Mark Bagley delivered our friendly neighborhood web slinger as not as we know and love him, but as we felt like we knew and loved him. Which is really way better anyway.
Love him or hate him, Geoff Johns was unarguably the continuity guru of the 2000’s, and his rise to prominence can be pinned on a single event: Green Lantern: Rebirth. Regardless of what critics have said of his work, Johns’ impact on the DCU was both immense and undeniable. First off, Johns brought Silver Age legend Hal Jordan back to life, reviving popular interest in the previously b-list Green Lantern Corps, spawning several on-going books, and a big-budget blockbuster movie. If that wasn’t enough, the success of this single story line managed to set the tone for DC continuity, landed Johns some of the best selling comic mini-series of his day, and poised him for a role as the head creative voice at DC Comics. Not too shabby.
DMZ’s portrait of a besieged Manhattan told through the lens of a semi-disaffected, semi-independent reporter is a book firing on all cylinders. Striking visuals evoke a place almost, but not entirely, unlike the New York City of today, and Brian Wood guides the reader through the morass of the city with the same ambivalence to the journalistic form as his lead character, Matty Roth. Whether you think Brian Wood glimpsed the future of the fragile Union, or if he’s just writing a different kind of the “real America,” cultural polarization hyperbole that has been the media’s stock-in-trade for the past few years, DMZ thrives so deeply in the ambiguity that it will keep even the most opinionated engaged. Not that this book lacks clarity of moral vision—there is good and there is evil—but they are rarely as clear as borders on a map.
In San Diego, Geoff Johns mentioned we’d be seeing a new speedster. For two months I went on and on to anyone who’d listen about how the new speedster had better be a girl, and how come we don’t really have a girl speedster?, and HEY! SHOULDN’T THE NEW SPEEDSTER BE A GIRL?!
Two months later, at Long Beach Comic Con, I poked my hand in the air and asked:
“So, the new speedster you mentioned in San Diego, any chance it will be, you know, NOT a boy?”
Johns leaned into his mike.
“Definitely a girl.”
Or something like that, I was too busy spazzing out. But here we are. Flash: Rebirth #5 has finally made it’s way to the shelves.
Wally got a new costume. Whatever. Little Irey’s the new Impulse! Liberty Belle seems to be embracing her speedster roots!
Rob and I have been discussing the various DC “families” quite a bit lately. The Batman family is the most diverse, gender-wise (Barbara, Kate, Stephanie, Selena, Renee, Helena, and I’m sure Cass will show up again one of these days.) Superman’s got, um, Kara. The Green Lantern Corps has thousands of female members, but as far as the 2814 family goes it’s pretty much just Carol. Wonder Woman doesn’t really have a “family” in the sense that the other four do, and until recently the Flash Family women were just the wifeys. Joan, Iris, and Linda are some of the best written wives in comics, but speedsters they are not.
Still, you can’t just go creating female characters for the sake of having female characters. Part of the fun of Marvel and DC Universes is the rich history, the Big Picture that all these little stories are told against. Any new hero, male or female, needs to feel organic – there’s got to be a reason for them to exist. Thanks to Tim Burton, Batman: The Animated Series, and now Christopher Nolan’s Batman movies, the Dark Knight has been the most popular DC character of the past few decades by a big long shot. Subsequently, the Bat family universe has grown by leaps and bound since the eighties.
Superman and Wonder Woman? Not so much. Yes there’s Connor and Krypto and Kara (and Karen? sort of.), and Cassie and Donna, but when you compare these relatively small posses to the massive Bat-family, the Green Lantern Corps, or the ever expanding Flash Family, Kal-El and Diana don’t have too many mini-mes. Those two are the platonic Zeus and Hera of the DCU, to replicate them too many times would negate their entire mythologies.
I’d certainly like to see fewer derivative female heroes in comics, but we need more women saving the world, period. They’re more likely to stick around if they’ve got a real place in the Universe, which is why the Bat-family women have managed to not only remain integral to Gotham, but to the DCU as a whole, even carrying their own titles. Bringing in more female heroes by using the existing hero families as a jumping off point is the easiest way to get more women into comics and keep them there, on the page and in real life.
But here’s why Irey’s a big deal. Jay was your grandad’s Flash. Barry was dad’s. Wally was ours. If the tradition continues, Iris West just might be The Flash to my kids. Now that’d be something.
Day two of LBCC! Lots of important news was broken, lots of crazy moments were had, lots of drinks were downed. Let’s just effin’ get to it!
- Jon and Maggie both met Stan Lee and got autographs (on the Amazing Spider-Man #41 and #71! Spidey vs. Quicksilver #71 went off to CGC to get slabbed and graded, 1st Appearance of Rhino #41 was a little beat up and is now proudly on display in their living room)!
- Rob figured out what his holy grail of comics is and bought Firestorm the Nuclear Man #1-4, went to the Boom! Studios Party, and traded Mark Waid his copy of #2 (with weird reader survey in it) for Waid’s personal copy of both #2 and #5! That’s a whole run! (UPDATE: Ten days later, Rob’s got the full Firestorm run, and Mr. Waid posts scans of the weird survey to his blog.)
- High Five! contributor Hava got her convention cherry popped and saw her comic bro-crush, Geoff Johns!
- At DC Nation, they announced that Johns’ new Flash run will have a Wally West co-feature, that Dan DiDio and Phillip Tan are taking over the Outsiders, and that the new Speedster is a girl (something Maggie has desperately wanted to happen)!
- Aforementioned Boom! Studios Party was tame, but fun! So much Sam Adams October Fest is in Rob’s belly!
HIGH FIVES FIVED HIGHLY:
- Geoff Johns (again)
Yeah, so we only high fived one dude who we also happened to high five yesterday. To be fair, we were busy being all awesome and hobnobbing with people whose books we love. Plus, Jon and Maggie had non-con business to attend to and Rob had to show Hava the ropes! Rob is tired of typing in the third person! Picture time!
Day one of Long Beach Comic Con was short and sweet (to say the least). For only technically being open for four hours today, there was a crazy amount of shit that we managed to accomplish.
- Both Los Angeles and Long Beach declaring October 2, 2009 to be Stan Lee Day (and he thought he “was just here to cut a goddamn ribbon”)!
- Having Geoff Johns sign the Firestorm variant for Blackest Night #3 which, apparently, he never saw before!
- Maggie holding her holy grail of comics, the Flash #123!
- Having a ridiculously long conversation with J.J. Kirby about Kilowog and the X-Babies (complete with a sketch of Baby Beast)!
- Scoring a gigantic free sketch of Lieam from Mouse Guard by David Petersen!
- Picking up a copy of Wonder Woman #214 (Flash & Wonder Woman team up!) and getting it signed by artist Drew Johnson (who also agreed to an interview)!
- Not drowning in a sea of poor hygiene and actually being able to walk from here to there (take that, SDCC)!
HIGH FIVES FIVED HIGHLY:
- Geoff Johns
- Mark Waid
- J.J. Kirby
As I said, cut us some slack for not doing that much. It was the short day! But here’s hoping tonight’s Atomic Comics karaoke party (even a hot Wonder Woman couldn’t talk too many nerds into getting on stage with a live band, bless them) doesn’t hold a candle to tomorrow’s Boom! Studios shindig. Oh, tomorrow’s going to be one full fucking day. At least it’s close enough to home that I can actually spend tonight in my own bed (instead of the backseat of a Yaris, which is what I did at SDCC this year).
That’s all for today High Fivers! We’ll be back tomorrow with reports from DC Nation and 50 Questions with Mark Waid! If you’re in the LA/OC area, admission is only $25 for a one day pass tomorrow, come hang out! And at the end of the weekend, we’ll post all the cool stuff in our sketchbooks!